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Carolyn Wilkins: Press

Exploration of race blends memoir with family history
By Steve Weinberg
November 11, 2010
Carolyn Marie Wilkins is a professor at Boston’s Berklee College of Music and a performing jazz musician. One of her brothers, David, is a Harvard University Law School professor, and other family members have graduated from Harvard Law. But her ancestral roots exist far from Boston. When she began to research those roots, she
found lots of surprises.

Truly intelligent human beings understand that race is a social construct. Yet in our society, even after the election of an African-American president, skin color matters.
Growing up among Chicago’s light-skinned African-American elite, Wilkins realized later that she possessed only a limited idea of what it meant to identify as black when she could have passed as white.

Referring to her intellectual achievements, her fair skin, and her race, Wilkins adopted this rhyme for herself: “Light and bright perhaps, but definitely not white.’’ In her book — part memoir, part essay on race relations, part dual biography of her paternal great- grandfather and grandfather — Wilkins wrestles with her light-skinned
identity, perhaps amplified by her marriage to a Caucasian male.
In high school and at college during a black power era, she tried to rethink the meaning of race when challenged by blacks and whites alike. “Some of the other black students accused me of ‘talking like a white girl.’ After this
incident, I carefully developed two separate vocabularies, one for dealing with white teachers and schoolmates and another that (hopefully) would enable me to be ‘down with the brothers.’ ’’

At college, Wilkins found herself ignored by black students “until they figured out that despite my light skin, I was indeed one of them.’’ Wilkins decided that calculating who she was meant looking beyond her parents — her mother, with a master’s
degree in musicology; her father, a lawyer — to great-grandfather John Bird Wilkins and, more so, her grandfather J. Ernest Wilkins. Born into slavery, John Bird Wilkins became educated enough to shake up the Baptist church as a renegade minister, write and edit for a newspaper, invent original devices, and find time to practice bigamy as the patriarch of two families. One of his sons ended up as a national newsmaker and the primary target of Carolyn Wilkins’s intense curiosity.

J. Ernest Wilkins, born in 1894 in Farmington, Mo., broke barriers to enter the University of Illinois, served in World War I, graduated from University of Chicago Law School, and eventually earned the attention of President Eisenhower, who appointed him assistant secretary of labor in Washington, D.C. No African-American had
previously served that high in the Labor Department.

As Carolyn Wilkins researched her grandfather’s Labor Department accomplishments, she became obsessed about learning why he was dismissed from the post while Eisenhower still served as president. Was racial prejudice to blame? Providing the answer in this review would constitute a spoiler. But J. Ernest Wilkins did not fade away. Appointed to the original federal Civil Rights Commission, he continued working on behalf of equity for all Americans until his death in 1959.

Carolyn Wilkins’s interesting and inspirational quest, which began with a box of family scrapbooks, transformed her into an archive detective with a passion for genealogy. Maybe other readers will follow her path to learn more about who and why they are.

Steve Weinberg can be reached through his website at www.steveweinbergwriter.com.
© Copyright 2010 Globe Newspaper Company.
‘Damn Near White’ explores writer’s family history and her th... http://www.boston.com/ae/books/articles/2010/11/11/damn_ne...
2 of 2 11/11/10 4:20 PM
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BERKLEE | Berklee News | Carolyn Wilkins: Music, Mystery, and Memoir
Page 1 of 1
http://www.berklee.edu/news/2677/carolyn-wilkins-music-mystery-and-memoir
By Ed Symkus Published: January 04, 2011
Professor Carolyn Wilkins uncovers family
history in her second book.
PHOTO BY PHIL FARNSWORTH
Image 1 of 2


When Carolyn Wilkins is at Berklee, she's busy in the Ensemble Department—working with students, specializing in teaching small jazz bands, and often putting singers into the usual mix of piano, bass, drums, and guitar. She also teaches ear training, basic keyboard, and a seminar called Artistry, Creativity, and Inquiry. When she's
not on campus, she's an in-demand pianist and singer—working freelance, playing at churches, performing with her group SpiritJazz.

Somehow, in the middle of all of that, she found time to write her second book. Her first was music-related: Tips for Singers: Performing, Auditioning, and Rehearsing. Her newest, Damn Near White: An African American
Family's Rise from Slavery to Bittersweet Success (University of Missouri Press), is about a personal search— covering her own family history, Washington politics, and a mystery.

Her main subject is her grandfather: the late J. Ernest Wilkins, assistant secretary of labor in the Eisenhower administration, the first African American to hold such a high government position. He was a brilliant, proud, and private man who resigned from his position—or was forced to resign. Wilkins wanted to know what happened and why it was never discussed.


Her research, done over three years while she continued to teach, perform, and live her everyday life as a wife and mom, introduced her to an intriguing cast of characters, including her great-grandfather John Bird Wilkins, who made his way from slavery to becoming an itinerant Baptist minister, changing his name and back story as
he moved from city to city. The family's political legacy carries on in the current generation: Wilkins's brother David is a Harvard Law professor who clerked for pioneering Supreme Court justice Thurgood Marshall.

"I worked on it a long time," said Wilkins, over coffee in her North Cambridge kitchen. "Then I wrote it, first as a very straightforward narrative. But my
husband [jazz bassist John Voigt] was going, 'Boring.'" Voigt was the Berklee library director for 30-plus years. So the self-described mystery "addict" made it a page-turner. . . with an answer at the end. "I enjoy reading mysteries because there's a trajectory," she said. "I realized that I could perhaps put this into a form that would make it more interesting for a person who is not a history buff, and would make it more personal."

Though she's trained as a musician, not a writer, the skills transferred to her book, she said. "I was a little insecure in my writing, so I found myself
reading it out loud to see if it had a rhythm. I found that when I was really on my game or the writing was going well, it would naturally have a rhythm
that was comfortable."

Asked how she actually managed to find the time to research and write the book, she again tied it to music. Wilkins started piano lessons at the age of 5, given by her musicologist mom. "One of the great things about music study is that it teaches you discipline," she said. "Since the age of 5, no matter what else is going on in my life, I've found time to practice. There's this illusion that musicians are somehow wild and crazy. They may be in some things, but we tend to be very disciplined
because that's the only way you can get it done. Another thing that music teaches you is that Rome was not built in a day. Neither is a Beethoven sonata
or a Charlie Parker solo learned in a day. You take a little bit, then the next day a little bit more, but you keep your focus on the big picture over time."

Having now written one book about music and one about her family, Wilkins is gearing up to do one that will combine the two subjects, and might even
fire up her composing skills. "The next book I write will be about the musicians in my family, and that book has already kind of triggered me to write some music," she said. "It's a little closer to me. Instead of dealing with lawyers and judges, now we're talking about singers and piano players, and I feel like, 'Oh, I could write a
song about this.' "

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Carolyn Wilkins: Music, Mystery, and Memoir